Mixing Tip: How To Use Glue Compressor FX Chain; 50 Free VST Plugins For Vocals Well, here are compression settings and tips which I use to compress vocals. So, the best advice I can give you in this regard is to try both options for yourself and see what works best for you. Compressor 1: Threshold -6, ratio 1.3:1, knee 3 dB, attack 0.1 ms, release 200 ms, stereo link, lookahead (if available), gain 0.00 Compressor 2: Threshold -6, ratio 1.3:1, knee 3 dB, attack 0.1 ms, release 200 ms, stereo link, lookahead (if available), gain = makeup gain However, it can seem like a dark art if you are new to mixing. The best way to get the glue effect on several tracks is to send them all to a group track on which you should insert a compressor with the following settings: One last remark before moving on. A very low ratio, somewhere between 1.5:1 to 2:1, tops, since you're goal here is not to actually compress the signal 2. Multiband compression is a more advanced form of compression. But a poorly-tuned compressor will wreak havoc. Glue compressor includes the common parameters of a compressor, Threshold to activate compression, Ratio to adjust input levels vs. audio output, Attack so that compression reaches its maximum level quickly or relaxed, Release adjusts the time it ends. EndeavorFX / gearnews.com, Source: But you can also “glue” tracks together in a subtle way by placing two standard compressors in series with high thresholds, low ratios, and no attack time. It's the so-called "glue" effect that takes place when you use a compressor on a group of tracks or even on the entire mix. One of the tricks pro mixers use to “glue” their tracks together is mix bus compression. Especially these days, considering that most current productions are recorded track by track, mixing tracks that have been recorded with close-miking techniques in different locations with samples and/or virtual instruments. TK Audio. A long attack time, to avoid deteriorating the peaks 3. As times and tastes change, the signal chain on mix busses has as well. Loop part of the program material with the compressors bypassed, and note the maximum level. Acustica Audio Aquamarine4 Compressor, Source: But before we get there, I'll show you how a compressor can help you make your sonic puzzle more coherent. By this I mean compressors that add some harmonic distortion, like a vintage analog compressor or a serious virtual emulation of one. A relatively soft knee setting, so the compressor acts progressively, but not too much, otherwise the compression will be audible. Do note that if your compressor features an automatic release-time function, it can work wonders in these situations! Here are some suggested settings as a starting point. Actually, in small amounts, this harmonic distortion acts as a sort of nice layer of varnish, making it easier to obtain the result you are looking for here. If you continue surfing the site, you agree to the, Top 5 Free Compressors: The best freeware plug-ins that sound as good as hardware. Here are some suggested settings as a starting point. The release time ought to follow the groove, so the compressor breathes naturally, following the rhythm of the music. If by glue you mean an SSL emulation, then my typical mix bus settings would be either 30/10 ms attack, with either a fast release or autorelease. Ableton Live 9 Standard and Live 9 Suite come with the Glue Compressor, a new device modeled on a popular vintage bus compressor from the 1980s, known for "gluing" the mix together. The release time ought to follow the groove, so the compressor breathes naturally, following the rhythm of the music. While other guitars are susceptible to some large dynamic variations, a lot of these distorted guitars have already been crushed by the amp/amp sim far more than your standard compressor plugins ever could. It’s not intended to work like a conventional compressor that flattens an input with a highly variable level, although you can always increase or lower the ratio or threshold for the best sound. Glue compression plays a huge role in making the instruments in your mix sound like they belong together. As for the threshold, lower it in a way that you get a maximum of -2dB of gain reduction, which is quite a lot, actually. Now, try the following test with a finished mix: Happy squashing—or perhaps more appropriately, happy anti-squashing! Each frequency band also has dedicated compression settings. After investing a great deal of time and energy in painstakingly getting a clear and precise distinction between the different elements of your sonic puzzle, it might seem weird to want to go after such an effect. They provide the glue that holds a mix together while allowing each instrument to retain its sonic integrity. This method of glue compression gives you dynamics control that’s so gentle, you won’t really hear that a compressor is working—but you will hear the benefits. However, if you think about it, it's a necessary stage. Bypass the compressors as a reality check. Comment document.getElementById("comment").setAttribute( "id", "a26bba2290cd5da0d8ecf754a1135caa" );document.getElementById("e301bf2faf").setAttribute( "id", "comment" ); For a better experience on Gearnews, we recommend JavaScript to be enabled, Source: I think this trick works way better when you use compressors with character. IF you have any setting or technique for finding the perfect vocal compression, add your comment and share that trick to other music producers. There are those who won't even start a mix without first having placed a stereo compressor on the master bus. Other Useful Articles. from processing the signal to “start over” to compressing (includes an Auto Release button that acts dynamically depending on the … And then there are those who argue that that's the best way to tie the hands of the mastering engineer. It’s frequently used, but rarely done right. As for using this trick on the entire mix, there are two clear and opposite schools of thought. For example ─ even though I've never tried it myself, I know quite a few engineers who like to systematically group drums and bass and make them stick closer together. With metal guitars, compression is more important than ever when it comes to consistency and glue. Your email address will not be published. Your email address will not be published. This compression has become what many refer to as the “glue” that holds your track together, and “SSL-style” compression denotes a very neutral sound that can range from subtle peak control to smashed tracks. A well-tuned compressor on the mix bus can make a big difference in your mix! Source: Compressors that use tubes for gain reduction (variable Mu) are most popular for overall mix compression and are mainly used in mastering. With lower input levels, lower compressor 1’s Threshold control but note that the above settings are optimized to work with higher signal levels, like what you’d expect from program material. So, why use mix bus compression? To get glue compression, bus multiple instruments to a single track and compress that one channel. This week we'll look into a side effect of compression that's beneficial, as long as you use it wisely. Black Rooster Audio VLA-FET: More 1176-style compression for your DAW, Craig’s Production Tips #1: Balancing mixes without level changes. By using our services, you agree to our use of cookies. You’ll need to adjust makeup gain based on the signal levels you’re using so that the peak levels when the compressors are enabled match the peak levels when bypassed. You’ll still need a … Before you ask, I belong to the first category, but that's only me. Adjust the second compressor’s makeup gain so that the peak value is the same that you noted in step 2. gearnews.com uses cookies to ensure the best possible service. The Glue is a world-class plug-in “Both the Mix and Range controls add a host of options for dialling in the compression flavour, and in practice we found this made The Glue an incredibly flexible compressor suitable not just for use on the master bus, but for individual instruments too. It’s also great at making different songs feel like they belong together. Personally, I dial it in somewhere between -0.5dB and -1dB to get a more delicate result that goes unnoticed to the ear... until you take the compressor out of the mix. The glue effect is often used on drums, but also on a group of rhythm guitars, or a group of vocals, etc. Applying different amounts of compression to the separate frequency ranges gives you more control. The Gearnews Holiday Raffle, Week 2: Win a Novation AFX Station worth €430! It’s difficult to give precise settings because the levels on tracks differ, but the level going into the first compressor should be fairly high—around -3 dB or so. Mix bus compression can be a mysterious and confusing topic for novice mixers. Compressing the mix bus can do … I know lot's of colleagues, whose work I deeply respect, who have another opinion on this matter. There are several ways to glue it all together, especially with reverb, as you will see later on. A very low ratio, somewhere between 1.5:1 to 2:1, tops, since you're goal here is not to actually compress the signal, A long attack time, to avoid deteriorating the peaks. A multiband compressor splits the frequency spectrum into separate bands. If you’ve heard people talking about adding “glue” to a mix, this usually involves a bus compressor. Do note that if your compressor features an automatic rele… Many top engineers swear by it, claiming that it can add depth, punch, and glue to a mix. Required fields are marked *. TK Audio. The best way to get the glue effect on several tracks is to send them all to a group track on which you should insert a compressor with the following settings: 1. Cookies help us improve performance, enhance user experience and deliver our services. It's pretty simple: If you use an adequately set compressor on a group of tracks, you can, to a certain extent, get a sensation of sonic cohesion. Autorelease on SSL is interesting and works out a lot of the time, but I often go with a 1 ms release to keep everything punchy. The effect should be noticeable, but not sound like obvious compression. 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